Review of The Megaphonic Thrift’s Decay Decoy

Magne SandnesOriginality is an important trait, no question about that, but sometimes slavish imitation can be alright too, particularly when it explores a sound or style that’s not already been strip-mined to death and is done well. And so it is that Norway’s Megaphonic Thrift get a pass for their debut album Decay Decoy, released in Norway last Spring and due out in North America on March 8.

When I saw the band at SxSW 2010, their ’90s alt.guitar rock influences, in particular Sonic Youth and Dinosaur Jr, were clearly audible even through the massive wall of sound and feedback. Despite the obviousness of what they did, I appreciated that they were able to effectively channel the melodicism of their forebears as well as their penchant for instrument abuse – often acts are so intent on the latter, they lose sight of the former.

If there’s any surprise about Decay Decoy, it’s how clean-sounding it is. Any shoegazing references that their live show might have encouraged must be put away when you hear just how much clarity and separation there is in the recording. Guitars still rage and shriek, but they don’t spill all over everything else and leave the bass, drums and vocals refreshingly unobscured. And with frontman Richard Mykleburst so high in the mix, one thing becomes very clear – this band loves Sonic Youth, specifically early DGC-era Sonic Youth, when they were at their poppiest. His voice is tighter and less drawl-y than Thurston Moore’s and bassist Linn Frokedal’s singing is far more polished than Kim Gordon’s ever was, but the dynamic between the two has more than a few echoes of alt.rock’s first couple – I’m guessing that’s not by accident. Nor did it just happen that “Candy Sin” sounds like a cover of “Silver Rocket” changed just enough to not involve the lawyers…

Understand that none of this is calling the band out or even criticizing them – they’re clearly comfortable broadcasting their influences and the thrill they’re getting out of making music like that which they love is obvious in the enthusiasm with which it’s done. Originality is good, but it really all comes down to the tunes and those, The Megaphonic Thrift have.

Subba-Cultcha has an interview with the band and Filter are sharing a track from the record.

MP3: The Megaphonic Thrift – “Candy Sin”
Video: The Megaphonic Thrift – “Acid Blues”

Rawkblog and QRO have interviews with The Radio Dept. while Oregon Music News at least tries to. The band are indeed returning for a show at The Horseshoe on May 29.

Radiohead have decided that working for the weekend isn’t all it’s cracked up to be and rather than release their new album The King Of Limbs tomorrow, as originally promised, they’ve turned on the download link for those who pre-ordered it as of right now. And they’ve released a new video. So those of you who were hoping to not have their Twitter/Facebook/RSS feeds turn into all Radiohead, all the time until tomorrow… sorry.

Video: Radiohead – “Lotus Flower”

eMusic has an interview with PJ Harvey, while The AV Club offers some suggestions on where to start for newcomers to her wildly varied career.

Ellie Goulding’s March 27 Canadian debut has been moved from The Great Hall to The Phoenix.

NPR talks to Adele, who follows the release of 21 next week with a show at The Kool Haus on May 18.

NME reports that The Horrors will be out with a new record in July of this year.

Sloucher talks to Esben & The Witch, who have a date at Wrongbar on March 11.

Spinner has an interview with Mogwai’s Stuart Braithwaite while Drowned In Sound has a couple pieces from Barry Burns. They have a date at The Phoenix on April 26.

Graham Coxon tells NME that while Blur are indeed playing together and recording stuff, fans shouldn’t expect anything to be released anytime soon.

Shugo Tokumaru’s Port Entropy – released this week and reviewed a few weeks ago – is now streaming in whole at Spinner.

Stream: Shugo Tokumaru / Port Entropy

Spin finds out where An Horse got their name. Their new record Walls is out April 26.