Friday, January 8th, 2010
White Russian Doll
Lucky Soul release and annotate new video
Glen WilkinsWhile most peoples’ “most anticipated albums of 2010” lists read something like “Arcade Fire Interpol Strokes Fleet Foxes etc”, damn near the top of my list you’ll find A Coming Of Age, the sophomore effort from London’s Lucky Soul. Their 2007 debut The Great Unwanted, an irresistible piece of Motown/Northern soul-channeling pop glory, remains one of my favourite records of the past decade, so the follow-up has some mighty big shoes to fill but judging from the first couple of tastes, it’ll manage that just fine.
Last March brought the first single in the disco-fied “Whoa Billy!”, which was as good as anything on Unwanted if not better, and they’ve just released a video for their new single “White Russian Doll” – out in the UK on Monday – which brings a little bit (ok a lot) of Smiths into the mix. The clip was filmed on location in Berlin and features frontwoman Ali Howard dancing and karaoke-ing her way through the city, and Lucky Soul guitarist Andrew Laidlaw has put up a blog post detailing the mostly commando-style filming of the clip. That’s commando as in run-and-gun, on-location, no-permit; not as in rescue pre-teen Alyssa Milano from Dan Hedaya with lots of gunplay. Though that’d make for an excellent follow-up video.
A Coming Of Age is due out in March.
MP3: Lucky Soul – “Whoa Billy!”
Video: Lucky Soul – “White Russian Doll”
Questions about whether The xx would be appearing with jj on the Toronto date of their North American tour – just two weeks before their already scheduled date supporting Hot Chip – have been answered by their booking agency and yes, indeed, Toronto gets a double-shot of The xx in just over a fortnight – April 4 at The Phoenix (apparently moved from the original venue of Lee’s Palace) with jj and again on April 20 at the Kool Haus with Hot Chip. Expect precise details on the show next week.
Paste talks to Hot Chip frontman Alexis Taylor about their new record One Life Stand, out February 2.
For Folks Sake has details on Laura Marling’s second album, entitled I Speak Because I Can and due out on March 1. Expect to hear lots of new stuff when she plays the Drake Underground on February 9.
Battery In Your Leg interviews The Joy Formidable, who are making their North American debut this weekend with a slew of shows in New York, none of which I will be at – a fact which saddens me. They are looking to have their first proper full-length out in the first part of 2010.
Beatroute and ABC News talk to Gareth Campesinos! of Los Campesinos!, whose Romance Is Boring comes out January 27.
Reigning Mercury Prize winner Speech Debelle will make her Toronto debut at Wrongbar Revival on March 10 as part of Canadian Music Fst. Tickets are $15 in advance.
MP3: Speech Debelle – “Better Days” revox featuring Wiley
Video: Speech Debelle – “Better Days” featuring Micachu
List talks to Frightened Rabbit frontman Scott Hutchison about The Winter Of Mixed Drinks. The new album isn’t out till March 16 but Stereogum has both their new single and its b-side available to stream right now.
PitchforkTV has a Tunnelvision video session with A Sunny Day In Glasgow, who are at the Garrison on April 2.
Beatroute and SF Station talk to Asobi Seksu about going acoustic on Rewolf. It’s unplugged they’ll be when they play the Drake Underground on February 1.
Filter gets to know Yo La Tengo.
The New York Times has a feature piece on Spoon. Transference is out on January 19.
Joe Pernice appears to be making good on his promise to play around town more often, as he’s scheduled a date at the Dakota Tavern for February 16. His show there in September was terrific, but I think I’m going to miss it in favour of seeing Editors and The Antlers at the Phoenix that same night. Which is funny, because last time I skipped seeing The Antlers at the Horseshoe in favour of Joe Pernice. Full tour dates and a new album update can be found over here.
Not sure what’s greater – Mac McCaughan and a children’s choir (okay, maybe not quite a choir) channeling Dan Bejar on a Destroyer cover by Portastatic, taken from the Make It Sound In Tune digital EP for charity, or the accompanying image by Ryan Catbirdseat over at MBV Music, where you can download the track.
And also great – all the illustrations accompanying Hype Machine’s 2009 zeitgeist list of artists. Amazing, every one.
1/8/10 7:39 pm
Sean says:Thanks for linking to the interview, Frank!
1/9/10 6:19 am
The Atomizer says:About Joe Pernice and his literary efforts: he has this new book out where he has a soundtrack to his own novel. Okay, cute enough idea. But then he goes on tour playing songs from the soundtrack (ok, fine) and reading from his novel. Ugh. I don’t go to to see Keanu Reeves and his band although I enjoy his movies. Similarly, the Pernice Brothers are great, but I ain’t paying to watch Joe Pernice read second rate fiction. I just won’t do it.
1/9/10 8:50 am
Frank Yang says:Joe used the reading/concert format at the Toronto show in September and it actually worked quite well – he seemed to be a bit embarassed about the format himself, and promised that it’d all be over soon. He read about three passages – not short, but not over-long either, and threw in a lot of wickedly funny banter. And he played for like two hours, so relative to that, the reading portion was quite short.
I don’t think the spring tour is going to be more readings, at least not in the cities where he’s already done them. I would recommend hitting these shows regardless.
1/10/10 9:00 am
Jan says:Hi Frank!
Is it your intention to only offer a two second snippet of the Lucky Soul track? Or is the team of my computer and me a bot on the stupid side???
1/10/10 9:19 am
Frank Yang says:yer talking about the Whoa Billy MP3? Whole thing plays for me! you try right-clicking on the link to save, or opening it in a new tab/window? left-click will enable the yahoo streaming player.
1/10/10 9:55 am
Jan says:Then I test it a third time! Thxs!
3/13/10 11:31 am
Quick Before it Melts » The second coming of Lucky Soul says:[…] recently premiered the video for the disc’s next single, “White Russian Doll”. Frank Chromewaves thinks the song owes a debt of influence to The Smiths (yeah I hear it, too) but I’m still […]