Frank YangWhite Rabbits have got it covered in the name-dropping department. Via TBD Records, they’re labelmates with a little British outfit called Radiohead and their critically-hailed second album It’s Frightening was produced by Britt Daniel, who sometimes moonlights in a band popular in some circles called Spoon. Yeah, the Brooklyn sextet have got plenty of ammo for cocktail parties, but it doesn’t necessarily tell you much about their actual music, does it.

Well the Britt Daniel part does, somewhat. It’s Frightening certainly borrows from Spoon’s dry, lean and punchy aesthetic and frontman Stephen Patterson’s voice does have a familiarly hoarse, wound-up quality, but dismiss them as Spoon-alikes at your peril. Not, like, “mortal danger” peril but “you’re missing out on a pretty great record” peril. Frightening kicks off with “Percussion Gun”, an intense bit of truth in advertising powered by the thundering tribal attack of the band’s dual drummers – one on a conventional kit, the other tasked with exponentially increasing the impact via big-ass toms. Add in Patterson’s aggressive piano (piano can indeed be aggressive) and howling vox and you’ve got not only one of the best opening tracks on any album this year, but maybe one of the best singles and videos. Translation, it’s impossible to not want to hear more of the record after that first salvo. And while It’s Frightening never quite reaches those heights again, it takes those same elements that make “Percussion Gun” such a blast and turns it into an undeniably solid record that crackles with energy that you just know would translate fantastically on stage. Toronto finally got a chance to find out if that was true on Saturday night when the band made their Hogtown debut at the Horseshoe with fellow Brooklyners Suckers in tow.

Rounding out the bill and providing the local flavour were recent The Balconies, recently transplanted from Ottawa and already becoming live fixtures and certainly one of the better/best new bands in the city. They again proved this to be true with their opening set, showcasing their terrific energy, razor-wire hooky tunes and the dueling sibling vocals of Jacqui and Steve Neville. Though there were a couple technical and performance flubs, I’d still put this performance as even better than when I saw them in August in terms of delivery and charisma, implying that as good as they already are they’re just going to get better. And that’s a scary thing. Find out for yourself at their next local gig on November 5, again at the Horseshoe, opening up for Dog Day and Immaculate Machine.

I’ve heard a lot of people talk about Suckers for months – mostly in a breathless, “oh my god, have you heard?” context – but had managed to not familiarize myself with them right up until the quartet took the stage. And after they left, I wasn’t grabbing people around me at random, breathlessly asking, “oh my god have you heard Suckers?” because, well, if they were right there then they would have, but I was pretty impressed. To say they have a lot going on is an understatement – all four are multi-instrumentalists, changing up instruments between guitars, electronics, percussion and brass, often in the same song, and taking turns with their distinct vocals or harmonizing in a way that probably shouldn’t work but sounds fantastic regardless. And that sentiment largely applied to their music at large – a collision of sounds and styles ranging from rock to soul to pyschedelia to gospel that by rights, should be a multi-car pileup but instead becomes a ballet. Not everything they did tickled my ear, but it did make a unique impression.

To answer the earlier posed question, yes indeed, the energy of It’s Frightening does indeed come to life on stage – and then some. Their set was pretty much a non-stop barrel ride through their two records, delivered with ferocious energy and no small amount of sweat. The band’s precision and rhythmic power was astonishing and watching them perform gave an even greater appreciation for the band’s musicianship. In particular, guitarist Gregory Roberts should get more credit for his vocal contributions (or maybe he already does, just not from me) and his ability to double Patterson’s leads or harmonize, depending on what’s needed – it may seem like just another cog in a complex musical machine, but it’s really a crucial element. And Patterson, even seated at an electric travel upright piano (not just a keyboard) as he was for most of the set, managed to inject a lot of physicality in his performance and while unable to match his bandmates’ stage wanderings, did get to partake in some instrument swapping in strapping a guitar on for a couple of tunes. As expected, “Percussion Gun” closed out the main set was the highlight of the night, putting the crowd into mosh mode for a few minutes. I wouldn’t even say that it was a conscious decision, but as most were already in a constant state of dancing/bobbing from the insistent rhythms, when hit with the big song, there was only one place to go – into the people around them. The band returned for a couple more songs and called it a night, closing out a tremendously solid night of rock. Add the band’s first show in Toronto to the list of things they can brag about t their next cocktail party.

hour.ca, Fazer, St. Louis Today and Seizure Chicken have interviews with White Rabbits.

Photos: White Rabbits, Suckers, The Balconies @ The Horsesehoe – October 24, 2009
MP3: White Rabbits – “Percussion Gun”
MP3: White Rabbits – “Kid On My Shoulders”
MP3: White Rabbits – “Percussion Gun” (live on MySpace Transmissions)
MP3: White Rabbits – “Rudie Fails” (live on MySpace Transmissions)
MP3: Suckers – “It Gets Your Body Movin'”
MP3: The Balconies – “300 Pages”
MP3: The Balconies – “Smells Like Secrets”
Video: White Rabbits – “Percussion Gun”
Video: Suckers – “Easy Chairs”
MySpace: White Rabbits

Thanks go out to The Indie Files and Hero Hill for bringing to my attention Worauf wartest du?, a collaboration between Albertan folk singer Rae Spoon and German electronic artist Alexandre Decoupigny which is available to download – presumably with artists approval – over here. And also exciting is the news that Rae Spoon is undertaking a tour of eastern Canada starting in November with a stop at the Rivoli on November 11. You may recall I was quite taken with Spoon’s latest Superioryouareinferior – quite looking forward to seeing him live.

MP3: Rae Spoon – “Come On Forest Fire Burn The Disco Down”

More dispatches in song form from Woodpigeon, currently in the middle of their residency at the Banff Centre. Die Stadt Muzikanten is due out January 12.

MP3: Woodpigeon – “Under, Behind & Between”
MP3: Woodpigeon – “Whole Body Shakes”
MP3: Woodpigeon – “Summer Side Of Life” (Gordon Lightfoot cover)

Gentleman Reg is putting out a new EP this Fall entitled Heavy Head. The six songs will be released digitally, two at a a time grouped by theme (covers, b-sides, remixes), starting on November 10 and be available as a complete package as of December 1. The Ontarion has an interview with Reg, who plays the Opera House in support of The Hidden Cameras on December 5.

Great Lake Swimmers will play a special benefit show for War Child on November 5 at the Dakota Tavern, the very thing Sloan did at the same venue just last week. Tickets are $35 and available at Maple Music. They play a regular show at Trinity-St Paul’s on February 6 of next year.

NPR, Cleveland Scene and The San Francisco Chronicle talk to Jay Farrar and Ben Gibbard about their Kerouac project One Fast Move or I’m Gone, which is streaming at NPR.

Stream: Jay Farrar & Ben Gibbard / One Fast Move or I’m Gone

Billboard talks to Gibbard’s Death Cab For Cutie bandmate Chris Walla about their contribution to the New Moon soundtrack.

Paste and Entertainment Weekly have interviews with The Swell Season. Strict Joy is out tomorrow and they play Massey Hall on November 2.

Apparently having still not paid off their ridiculous stage setup, U2 are extending their world tour and will be hitting Toronto for the third time in less than a year on July 3 at the Rogers Centre. Tickets on sale November 2.

Matt MartinAm I excited about this coming Wednesday night and the opportunity to see Sky Larkin at the Cameron House? Yes, yes I am. But they’re not the only reason to haul one’s butt down to the back room of the Cameron that evening – the Leeds trio are touring with fellow Brits Peggy Sue (nee Peggy Sue & The Pirates), whose decidedly off-kilter folk is some distance away, stylistically, from Sky Larkin’s barbed sugar guitar pop but their four-song, 10-minute Lover Gone EP is an intriguing tease. I look forward to hearing more of what they have to offer – presumably their set will go longer than 10 minutes.

Admission is $5 at the door but courtesy of Outside Music, I’ve got two pairs of passes to give away for the show. To enter, email me at contests AT chromewaves.net with “I want to say hello to Peggy Sue” in the subject line and your full name in the body. Contest closes at midnight, October 26. Yes, that’s tomorrow.

MP3: Peggy Sue – “Lover Gone”
Video: Peggy Sue – “Lover Gone”
MySpace: Peggy Sue

Frank Yang

Who: Said The Whale
What: Vancouver quintet sing about what they know – Vancouver, the sea and heartbreak – and their intersections and allegories, rendered in big happy pop styles on their new record Islands Disappear. They’re currently on a cross-Canada tour which stops at the El Mocambo on October 28.
Video: Said The Whale – “Camilo (The Magician)”
MySpace: Said The Whale

Who: It Hugs Back
What: Warm and whispery narcolepsy-rock from English outfit with an American Analog Set record or five in their collections filed alongside their complete Yo La Tengo discographies. Their latest album is Inside Your Guitar.
MP3: It Hugs Back – “Now & Again”
MP3: It Hugs Back – “Work Day”
Video: It Hugs Back – “Now & Again”
Video: It Hugs Back – “Work Day”
MySpace: It Hugs Back

AmazonYes, the “I” in IFOA stands for “International” (the rest of it is “Festival Of Authors”), but that’s no reason we can’t celebrate writers that hail from somewhat closer to home, and that’s why eye and Pitchfork scribe Stuart Berman will be the featured guest at the Harbourfront Centre’s Lakeside Terrace this Friday night, October 30, to be interviewed by The Toronto Star’s Ben Rayner about his recent book This Book Is Broken: The Broken Social Scene Story, the biography of Broken Social Scene. Also joining the music scribes in the talk will be Arts & Crafts honcho Jeffrey Remedios and Broken Social principals Kevin Drew and Brendan Canning and the discussion will be followed by a performance from BSS guitarist Jason Collett.

Tickets for the all-ages event are $15 or free for students with a valid student ID, but courtesy of the IFOA, I’ve got a pair of passes to give away for the evening. To enter, email me at contests AT chromewaves.net with “I want my book broken” in the subject line and your full name in the body. Contest closes at midnight, October 28.

AmazonThanks go out to Cover Freak for making this one available last week and which I couldn’t resist re-posting for this week’s selection. After all – the only way the timing for it could have been even better is if the annual Toronto Zombie Walk had been scheduled for today rather than yesterday. After all, it’s hard to imagine that this motley crew couldn’t find inspiration in either the original by former 13th Floor Elevators frontman and legendary psych-rock pioneer Roky Erickson or the remake by legendary jangle-rock pioneers R.E.M., taken from the 1990 tribute album Where The Pyramid Meets Eye.

As it is, I’ll have to settle for the double-punch of the Erickson making a rare visit to Toronto this week for a show at Lee’s Palace on Wednesday night, October 28, and the fact that R.E.M. are releasing their new live double CD/quadruple LP/single DVD Live At The Olympia on Tuesday. And the fact that, of course, it is Hallowe’en this Saturday.

NPR talks to R.E.M.’s Michael Stipe about the making of the live document, recorded in Dublin in the Summer of 2007 and are also streaming the album in advance of its release.

MP3: R.E.M. – “I Walked With A Zombie”
Stream: Roky Erickson – “I Walked With A Zombie”