Friday, February 13th, 2009
The Bachelor
Patrick Wolf fights Battle on two fronts
Ingrid ZThose who sought to ride out the global recession by investing their money in Patrick Wolf should be pleased – the project has already yielded dividends! What had originally been intended to be a double album entitled Battle will now instead be two single-length albums entitled The Bachelor and The Conqueror.
In an interview with Spinner, Wolf describes the differences between the two as follows – “The Bachelor [has themes of] loneliness, hedonism, depression and melancholy, the second album is all my depression being suddenly lifted by true love.” The Bachelor will be released in June, The Conqueror sometime before the year is out. He also talks to Black Book about approaching Tilda Swinton to appear on the new record and his rather unique sense of style and assembles his dream band for The Independent.
Wolf blogs that tthe first single from Bachelor, entitled “Vulture”, will be released in early March but until then, there’s a “megamix” sampler of songs from the new record streaming at his MySpace. There’s also regular updates at his YouTube channel.
Myspace: Patrick Wolf
Stereogum gets a progress report on Kingdom Of Rust from Doves, though with its April 6 release date less than two months off, I hope there’s not much progress left to be made. Which is to say it better be done. The video for the title track is done, at least.
Video: Doves – “Kingdom Of Rust”
Drowned In Sound and Contact Music make conversation with Sky Larkin. My copy of The Golden Spike arrived yesterday. That made me happy.
Nouse and The Irish Independent interview Emmy The Great, who continues her own interview duties for Drowned In Sound by talking to Beach House and Sleeping States.
The Ting Tings have a new video. They’re at the Mod Club on March 14 as part of CMW.
Video: The Ting Tings – “We Walk”
Art Brut will release their third record Art Brut vs Satan on May 12. Pitchfork has specifics.
Clash and Virgin Music interview Saint Etienne, who will release a new best-of comp in London Conversations: The Best of Saint Etienne next week.
NME reports that The Stone Roses‘ debut album will be reissued this June to mark its 20th anniversary in a fancy pants box set form and a less fancy “legacy” edition (yes, they already did this ten years ago for the 10th anniversary). But what might make this more than just a naked cash grab is the fact that the album has been remastered by original producer John Leckie – considering that the original record could do with some sonic polishing, I may be interested to hear if the new version actually gives the album some low end.
Billboard has details on the forthcoming Iron & Wine rarities double-CD set. It’s entitled Around The Well, will be out May 19 and most importantly, will include “The Trapeze Swinger”.
The Yeah Yeah Yeahs give Spin the lowdown on their new album It’s Blitz!, set for release April 14.
Matablog has everything you need to know about The Eternal, the new album from Sonic Yough, out June 9.
Making up for their cancellation in support of Calexcio last fall, Bowerbirds will be at the Drake Underground on May 2.
MP3: Bowerbirds – “In Our Talons”
NPR is streaming a session with Shearwater.
The Wrens have put together a video to go along with the new song they unveiled a few weeks ago.
Video: The Wrens – “Marked Up”
MPR is featuring a session with School Of Seven Bells and The List has a short interview with Alley Dehaza.
There’s now a trailer available for Ashes Of American Flags, the Wilco live DVD due out on April 18
Trailer: Ashes Of American Flags
The Georgia Straight talks to The Airborne Toxic Event, whose March 4 show has been moved from the El Mocambo to The Mod Club.
2/13/09 10:51 am
Torr says:Stone Roses album TOTALLY needs to be remastered! So glad to hear this is finally happening.
2/13/09 9:21 pm
rawbean says:oh that bowerbirds show announcement is torture as I live in Vancouver. But I’ve totally stayed at the Drake!
2/14/09 12:49 pm
Gary says:I think it was in the Alex Green 33 1/3 Stone Roses book that they talked about how that album was supposed to be all about treble rather than bass. I remember one passage where they said in one mix the producer had the treble so high on the drums that one of the band members’ nose started to bleed. So I don’t know how much low end to expect from a re-master if it’s the same crew working on it again.